The anthemic indie rock sound of Snow Patrol provides a bit of hope and promise among the many acts attempting to fit into a certain genre or scene. Snow Patrol belong to their own scene, and their third album, 2004's Final Straw, proved that with several global hit singles such as "Run," "Chocolate," "How to Be Dead," and the reissue of "Spitting Games." British fans once more proclaimed their beloved Snow Patrol as a true rock & roll band while American audiences finally took notice of the Scottish collective. The band's fourth album, Eyes Open, doesn't fall short of where they left off; in fact, Snow Patrol's hungry rock sound only gets bigger and better this time around. All guitar hooks and singalong choruses are firmly in place. Gary Lightbody is an underrated frontman. On Eyes Open, he once again writes songs that are from the heart and true to self-reflection without getting too sappy or overjoyed. From the playful name-dropping of Sufjan Stevens on "Hands Open" to their passionate delivery on "It's Beginning to Get to Me" and "Shut Your Eyes," Snow Patrol's approach is epic. They are the kind of band that embraces simplicity as beautiful and human flaws as art. The lullaby-like "You Could Be Happy" and the passionate buildup of "Make This Go on Forever" are evidence of that. This 11-song set is a masterpiece, so keep your ears and eyes open for Snow Patrol. They're on to something big. [The U.K. CD/DVD version includes videos for "Chasing Cars," "You're All I Have," and Final Straw's "Run," along with bonus interview footage.] ~ MacKenzie Wilson, All Music Guide
Eyes Open (Limited CD/DVD)
05/02/2006
All Music Guide Review
Track Listing
Credits
- Steve Morris
- Violin
- Cenzo Townshend
- Mixing
- Iain Archer
- Vocals (Background), Choir, Chorus
- Sara Wilson
- Choir, Chorus
- Martha Wainwright
- Vocals
- Sam Bell
- Engineer
- Charlie Clarke
- Choir, Chorus
- Charles Stewart
- Violin
- Jazz Summers
- Management
- Tim Parry
- Management
- James Banbury
- Arranger, Cello
- Matthew Souter
- Viola
- William Hawkes
- Viola
- Eugene Kelly
- Choir, Chorus
- Tara Richardson
- Management
- Everton Nelson
- Violin
- Rebecca Hirsch
- Violin
- Warren Zielinski
- Violin
- Lucy Williams
- Violin
- Nigel Walton
- Compilation
- Paul Wiley
- Violin
- Adrian Bradbury
- Cello
- Peter Hoffman
- Engineer
- Richard George
- Violin
- Stacey Seivewright
- Choir, Chorus
- Hilary Skewes
- Contractor
- Tom McFall
- Engineer
- Zoe Martlew
- Cello
- Ben Russell
- Double Bass
- Stefano Soffia
- Assistant
- Maxine Moore
- Viola
- Jenny Reeve
- Choir, Chorus
- Mat Maitland
- Art Direction, Images
- Owen Skinner
- Mixing Assistant
- Beatrix Lovejoy
- Violin
- Fergus Peterkin
- Assistant
- Paul Archer
- Vocals (Background), Choir, Chorus
- Dan Tobin Smith
- Photography
- John Davies
- Mastering
- Ursula Gough
- Violin
- Timothy Grant
- Viola
- Ciaran Gribbin
- Choir, Chorus
- Hrafnhildur Halldorsdottir
- Choir, Chorus
- Jacknife Lee
- Keyboards, Mixing, Engineer, Vocals (Background), Producer, Programming
- Karin Leishman
- Violin
- Maya Magub
- Violin
- David McGinty
- Choir, Chorus
- Richard Milone
- Violin
- Steve Pryce
- Engineer
- Claire Scott
- Choir, Chorus
- Simon Wakeling
- Assistant
- Richard Andrews
- Art Direction
- Leon Bosch
- Double Bass
- Caroline Dale
- Cello
- Caroline Dearney
- Cello
- Janice Graham
- Violin, Leader
- Pauline Lowbury
- Violin
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